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  • Call for Papers – The International Journal of South Asian Dance Intersections

     Rohini Acharya updated 6 months, 2 weeks ago 1 Member · 1 Post
  • Rohini Acharya

    November 10, 2021 at 8:21 pm

    The International Journal of South Asian Dance Intersections [SADI]

    Call for Papers


    For complete information, SEE: https://journals.charlotte.edu/index.php/sadi/announcement

    Submission Deadline on Journal Platform: November 15, 2021


    The International Journal of South Asian Dance Intersections is a progressive, scholarly, blind peer-reviewed, and digitally available open-access journal which seeks to publish a unique blend of original high-quality research in scholarly, choreographic, contemporary, community-building, and technical explorations within South Asian dance and its interdisciplinary intersections. It aims to bring together emerging and established voices in the field to carry forward pressing areas of discourse. Its focus remains on South Asian Dance and its many intersections with a wide range of areas, disciplines, cartographies, communities, and populations to present the field via a new integrated wholesomeness. Featuring the writings of iconic, established, and emerging scholars and stimulating ongoing debate and discourse, this journal seeks to capture the hitherto ignored, vernacular, neglected, languishing, and quieter voices, presenting them in an inclusive, decolonised, and self-affirming frame. It seeks to publish policy, theory, and practice articles, reflection essays, book and resource reviews, and arts-based works related to all aspects of dance appreciation in South Asian performing arts in both discursive and embodied contexts. It desires to make connections between the verbal and performative in live-performance, pedagogy, and creative interpretations through photographic representation and capture.

    The first volume is themed around the issue of Intersections and Interstices during the pandemic and will include invited and openly sourced articles, interviews, book reviews, performance reviews, screendance reviews, and photographs. As a digital-only platform, it will include seminal performance excerpts as well, all of which will go through double-blind peer review and selection process. The range of contributions should aim at indicating theoretical, performative, and/ or activist intersections and interstices in South Asian Dance. The contributions may hail from all geopolitical contexts where South Asian Dance or its variants are practiced, nurtured, or consumed. All images, photographs or footage included, including personal, archival, performance, film, television and “found” footage, must be covered by the terms of copyright as covered in the journal’s ‘Terms of Copyright’ document.

    For enquiries relating to themed submissions, please email Dr. Kaustavi Sarkar {ksarkar@uncc.edu}

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